شکThe spirit of realism of Hedayat’s literature has influenced Boroumand Shokri’s writings to some extent.
According to Borna News Agency; Boroumand Shokri was born in May 1983 in Kermanshah and is an Iranian researcher and novelist.
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Her artistic taste sparked in the fifth grade, when her teacher, Tahereh Khojasteh Tabar, displayed her writings and songs on a bulletin board in the elementary school to cheer her on. However, after elementary and middle school, he did not take writing seriously, but his nature was full of emotion, which shows the spirit of freedom of an artist.
Later, when he finished high school, at the age of 20, he accidentally received a yearbook in which the story of “Dash Akel”, the hero of one of Sadegh Hedayat’s writings, was briefly written, which made him so interested in reading. He finds that he prepares and reads all his books. In his own words: “I read Buffor more than a hundred times, and each time it opened up a wide view of the realities of life.”
Perhaps to some extent the spirit of realism in Hedayat’s literature is due to this interest and devotion that has influenced his writings.
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It was here that he awakened with Sadegh Hedayat’s books his latent artistic taste, following the story of Dash Akel’s chivalry and his knowledge of a famous gentleman of the fifties in Kermanshah named “Hamid”, his first collection of stories based on nature and adaptation of three Sadegh Hedayat’s drop of blood, entitled “What will happen in the end ?!” It is written and published by Taq Bostan Publications.
The stories of this collection and its events are related to before the Iranian revolution, in which the story of a young man who has passed the period of his life with zeal and chivalry is told.
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He falls in love with a girl and for some reason does not consider it appropriate to propose. Eventually the promised day arrives and he is imprisoned just before the courtship and…
Because this story was the first book that told the story of one of the “gentlemen of Kermanshah”, it was met with unparalleled acclaim, but on the other hand, because Kermanshah is one of the most controversial cities in Iran, There was a lot of criticism.
The first criticism was made by one of the Kermanshah weekly magazines, in which the critic wrote in an ironic article: “This cup is full and we have enough capacity to cultivate forgery!” “Such books are a drill to the poppy.”
Boroumand Shokri wrote in response to this critic: “Evil chivalry are two separate categories with a terrible abyss. That you think such stories are a poppy drill has in fact analyzed your gentleman’s mental imagery, not the flow of the story. Manliness is the ancient capital of Kermanshahians. If you have the pain of the prevalence of forgery, how can you analyze being a man for young people who have a love of forgery?
In any case, the criticism intensified so much that he did not want the second edition. Perhaps erroneous judgments and inappropriate analyzes of the situation in a city like Kermanshah in comparison with two categories that had nothing in common with each other caused a wave of criticism to affect him and to erase such subjects forever. Of course, these events did not end there, and he left writing for a long time with the fragile spirit that was in him.
It took seven years to find a new path again. That’s why he published a book called Divar with his own capital, which was different from his previous writing! Now, why and how he chose such a path is something to be asked from within the mysterious inside of the author.
But since the ideas for storytelling are formed under the influence of a storyteller with a current, this certainly happened to him! In any case, the wall dealt with the most important and critical issue of the century, namely Israel and Palestine. The narrator is a young Jew who suffers from his own ignorance.
The story is full of questions, riddles and critiques that pass through the mind of the narrator. His curious and questioning spirit tries to break down the wall that has been drawn around him with false insinuations and to think freely.
As the author states in the book: “Prison is not an instant formed in the public image of the people, but any means that can prevent the cultivation of the Spirit of God is a prison.”
The book’s introduction states: “Before the rise of the Zionist state, extremist Jews set up a series of underground camps that were only active in child production!
The young men and women who were chosen in these camps for whatever reason were Laabali people who were gathered from different parts of the world. The managers of these camps, in order not to arouse the feeling of motherhood in these girls, transferred the child to a place called orphanages as soon as they gave birth.
The goal of the designers of this complex system was to raise a war soldier for a great war!
Of course, after years of research, such camps were implemented in a more modern way, called kibbutzim, a communal village, and it continues to this day.
The Zionist government took such an initiative to increase the population and for a number of political purposes, but the thinkers of this inhumane act never thought about the feelings of these children who will one day wake up.
This text is a note to one of these illegitimate children. He tries to break down the wall that the Zionists have built around him in order to regain and search for his lost identity.
The author’s open and impartial view of a legal and human issue doubles the importance and value of the book. But more importantly, the conclusion he reached after researching and writing the wall in the book’s labels is as follows:
Zionism is not limited to Judaism. This racist ideology can permeate any school or ideology. It can be in the form of a priest, a rabbi or a clergyman. Get off in church, temple, mosque and anywhere in the world…
In the meantime, he turned about 30 film projects from the base of the stories of the prominent martyrs of Kermanshah into screenplays, two of which he published as a book in 2016 with the help of Nazari Publications under the titles “Azad” and “Fatemeh Nahid”.
He also has a long critique of the historical novel Hail written by Mahmoud Rezakhani.
His latest writing, which was published by Nazari Publications in 2017, is a long screenplay entitled “Pahlavan Gol Nowruz”.
This screenplay was written to produce animation with a general audience and deals with the life of a man who is extremely cowardly despite his physique and physical strength.
He and his wife Golpari leave their village for Kermanshah under the current, which is more than the illusions that come to him as a result of this fear. Their arrival coincides with the invasion of Kermanshah by the Ottoman forces during the reign of Safi Shah.
Nowruz flower, with the support and encouragement of his wife, Golpari, enters this historical current and changes the fate of the war.
This script is meant to say that woman is the maker of man and man is the maker of history…
Boroumand Shokri has learned to write experimentally, and since he has an instinct to write, his interest and efforts have undoubtedly not been ineffective in this regard.
But what can be seen in the labyrinth of his artistic activities is the diversity of the subjects he has chosen.
He is currently an advertising consultant for cinema affairs and the managing director of Namnameh news website.
Report: Azam Chaghazardi